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BLIND PERSISTENCE

November 2025. PRE-ORDER NOW

The Before Columbus Foundation, founded in 1976 by Ishmael Reed and others, remains “dedicated to the promotion and dissemination of contemporary American multicultural literature.” It operates on the premise that storytelling traditions existed thousands of years before the arrival of Europeans, which counters the myth that storytelling begins with the Puritan settlement. The foundation established the American Book Awards in 1978, which has recognized hundreds of writers who otherwise would have been ignored. Its board of directors includes three MacArthur Fellows, three former U.S. Poet Laureates, three Pulitzer Prize winners, a winner of the Booker Prize, and a recipient of a Presidential medal.

BLIND PERSISTENCE is the Before Columbus story as told by a host of leading American poets, novelists, public intellectuals. Contributors include Wajahat Ali, Carolyn Forché, Joy Harjo, Henry Louis Gates, Jr., Nancy Mercado, Margaret Porter Troupe, Shawn Wong and more.

Edited by Ishmael Reed and Justin Desmangles (with Carla Blank and Tennessee Reed)

Ishmael Reed has authored fifty works of fiction, poetry, non-fiction, plays and librettos, and edited numerous anthologies. He has received prizes in every category. The fourth novel in his “Terribles” series, The Terrible Fives, is forthcoming from Baraka Books in 2026. Other recent works include Why the Black Hole Sings the Blues (2022), and The Shine Challenge 2025, premiered at NYC’s Theater for the New City on January 30, 2025. Reed is also a cartoonist, songwriter, musician and composer, public media commentator and publisher. Books published by Baraka Books include Bigotry on Broadway (with Carla Blank), The Complete Muhammad Ali, The Terrible Fours, and Why No Confederate Statues in Mexico. He lives in Oakland.

Justin Desmangles is chairman of the Before Columbus Foundation, administrator of the American Book Awards, and creator of the radio broadcast New Day Jazz. A member of the board of directors of the Oakland Book Festival, Mr. Desmangles is also a program producer at the African-American Center of the San Francisco Public Library. His poetry and journalism has appeared in AmerarcanaBlack Renaissance NoireDrumvoices RevueKonch, and Musiqology.

RAZING PALESTINE

NOVEMBER 2025. PRE-ORDER NOW.

Almost two years in and we continue to watch in horror as 2 million people living on 140 square miles of land bear an unprecedented and unfathomable pummelling by the Israeli Army. More bombs were dropped on Gaza than in World War II; more children killed, wounded and orphaned than in any other conflict of this century; more journalists and healthcare workers killed than in any other conflict ever; and entire towns and districts were reduced to dust.

Those who speak about the carnage are punished by censure, sanction, smearing and worse. Across Canada—and internationallyjournalists are muzzled, academics are stifled, doctors are fired, activists are arrested, and artists are banned. Words such as genocide and ceasefire have been excised from the vocabulary, and criticism of the conflict invites accusations of antisemitism.

Razing Palestine brings together the testimonies and stories of a wide range of individuals across a variety of domains who have suffered the cost and consequences of speaking up for Palestine. As Palestine was razed, the courage and the voices of those who raised the issue must be heard.

Contributors include: Sheima Benembarek, Amy Blanding, Safa Chebbi, Libby Davis, Yves Engler, Yipeng Ge, Fred Hahn, Yara Jamal, Thoby King, Nora Loreto, Ehab Lotayef, Samira Mohyeddine, Kagiso Lesego Molope, Arfa Rana, Sean Tucker. And many more.

Leila Marshy, editor, is the author of The Philistine (LLP, 2018) and My Thievery of the People (Baraka Books, 2025). Leila’s Palestinian father was exiled from his home in 1948, never to return. During the First Intifada, Leila Marshy lived in Cairo and worked for the Palestinian Red Crescent and the Palestinian Mental Health Association. She has been a community and political organizer, including founding a dialogue group with the Hasidic community in her neighbourhood. Her stories and journalism has been published in Canadian and American media. She lives in Montreal.

Syria: Anatomy of Regime Change

OCTOBER 1 2025. PRE-ORDER NOW

With a Foreword by Oliver Stone.

In December 2024, Syria’s president Bashar al-Assad departed for Russia after militia forces took Damascus. An Al-Qaeda affiliated group led by Abu Mohammed Al-Jolani (aka Ahmed Hussein al-Sharaa) took power. New York Times columnist Thomas L. Friedman hooted that it was the “biggest…most game-changing event in the Middle East in the last 45 years.” Yet until then, Al-Jolani was wanted for terrorism and had a U.S. State Department $10 million bounty on his head since 2017.

The media-established story of popular “rebels” triumphing over “evil” has since dominated.  Washington’s role in this long-standing regime change operation was erased.

This is the first comprehensive account of the U.S. regime change operation in Syria dating back decades. The goal was to end Syria’s nationalist economic program, its support for the Palestinians, and its steadfast opposition to U.S. and Israeli hegemonic designs in Western Asia.

The methods utilized fit a long-standing U.S. regime-change playbook applied worldwide. Key aspects include a protracted demonization campaign, imposition of crippling economic sanctions, and CIA financing of rebel groups under the billion-dollar Operation Timber-Sycamore.

Jeremy Kuzmarov holds a Ph.D. in American history from Brandeis University. He did his BA and MA at McGill University in Montreal, where he was born. He has taught at numerous colleges in the United States and is regularly sought out as an expert on U.S. history and politics for radio and TV programs. Managing Editor of CovertAction Magazine, Kuzmarov is author of five books on U.S. foreign policy, including Obama’s Unending Wars (2019) and Warmonger (2024). In addition, he has contributed to many edited volumes, including The Oxford Handbook of Late Colonial Insurgencies and Counter-Insurgencies. Kuzmarov lives in Tulsa, Oklahoma.

Dan Kovalik has been a labor and human rights lawyer since graduating from Columbia Law School in 1993.  He served as in-house counsel for the United Steelworkers for twenty-six years. He has represented plaintiffs in human rights cases arising out of egregious abuses in Colombia. He also taught International Human Rights at the University of Pittsburgh School of Law from 2012 to 2023. Author of many books, including The Case for Palestine: Why It Matters and Why You Should Care, he received the David W. Mills Mentoring Fellowship from Stanford Law School, the Serena Shim Award for Uncompromised Integrity in Journalism, and Iran’s 15th Farabi International Award. Dan Kovalik lives in Pittsburgh.

Oliver Stone is an Oscar-winning Filmmaker as (Platoon, Born on the Fourth of July) and is the author of several books including the highly acclaimed memoir Chasing the Light.

Praise for the authors’ previous books.

About Kuzmarov’s Obama’s Unending Wars

“A devastatingly clinical analysis  “Max Blumenthal

“extraordinary book”Peter Kuznick

About Warmonger (on Clinton’s foreign policy)

“Who first set us on this disastrous road of endless war and imperial overreach? Kuzmarov brilliantly answers these questions in his stunning new book.”James Bradley

About Kovalik’s The Case for Palestine

“New leaders like Dan Kovalik are now among us. New books like his are our weapons.” George Galloway

All Kidding Aside

AUGUST 1, 2025. PRE-ORDER NOW.

Louis, a young queer man, lives in Pointe-aux-Trembles, in Montreal’s east end, with his rap-obsessed, schizophrenic brother and their terminally ill father. While working at a Tim Horton’s, Louis dreams of becoming a stand-up comedian. Delivered in short, addictive chapters, All Kidding Aside deftly juggles themes of love, class, and grief with poetic mockery and spare, electric banter.


Poet, novelist, and screenwriter Jean-Christophe Réhel is the author of six collections of poetry. His first novel, Tatouine, published orginally in French under the title Ce qu’on respire sur Tatouine, won the prestigious Prix littéraire des collegiens in 2019. Published in English in 2020, it was longlisted for Canada Reads. Réhel’s TV series, L’air d’aller, won the Prix des étudiants à Canneseries in 2023. He lives in Montreal.

Neil Smith is a Montreal-based writer translator. His novel, Boo, published in 2015, won the Hugh MacLennan Prize for Fiction. His 2007 short story collection, Bang Crunch, was selected as a best book of the year by The Washington Post and The Globe and Mail, won the McAuslan First Book Prize, and was a finalist for the Hugh MacLennan Prize for Fiction. The Goddess of Fireflies, Smith’s translation of Geneviève Pettersen’s novel La déesse des mouches à feu, was nominated for the 2016 Governor General’s Award. His latest novel, Jones, published in 2022, was nominated for the Hugh MacLennan Prize for Fiction.


Reviews and Praise

All Kidding Aside (…) takes its readers on a journey into a world woven with turbulent adventures, offering a deep and captivating exploration of brotherly love, precarity, and grief.” – Alice Laforce, le Nouvelliste

“In Jean-Christophe Réhel’s (…) ‘love letter to comedy’, the poet and screenwriter wrestles with themes that challenge, yet never dip into pity. The winner of the Prix littéraire des collégiens celebrates the beauty the everyday… and laughs about it.”- Radio-Canada

“Réhel pulls us into a rather gloomy universe of messy bedrooms, boot-slopped kitchen floors, soulless Timbits, objects of thoughtless gluttony, chunks of sandwich scattered in the street, carrots jammed into the bottom of a snowman’s belly. But ‘in the midst of all this baseness,’ as Brassens might say, we witness real and touching human connections.”- François Lavallée, Nuit Blanche

About Tatouine:

“A joy to read!” – Shelagh Rogers, CBC’s The Next Chapter

“A novel of inventive, self-deprecating humour.” – Jade Colbert, The Globe and Mail

“Réhel gives the reader a front-row seat to a baroque and often hilarious interiority – one that highlights the complexity and tragedy of the human condition, while playfully revealing the capacity of the human mind for turning the struggles of existence, large and small, into a source of amusement. […] In addition to the often-dark humour, Réhel has a poet’s eye for rhythm, repetition, and stark imagery that thankfully isn’t lost in the exceptional translation by Katherine Hastings and Peter McCambridge.” (Dean Garlick, Montreal Review of Books)

“Certainly one of my favourites of this year.” (Steven Buechler, The Library of Pacific Tranquility)

HABS NATION

OCT 1, 2025. PRE-ORDER NOW.

The history of the Montreal Canadiens is about more than just hockey. It’s also the story of how hockey’s most winning team has always skated hand-in-hand with its home province of Quebec.

Brendan Kelly takes a fresh look at the ups and downs of the Habs since the heyday of the “Flying Frenchmen” in the 50s, 60s and 70s and shows how the history of the team mirrors the tumultuous changes in Quebec over the past decades. Why was it that from 1955, year of the “Rocket Richard Riot,” until 1995, year of Quebec’s second referendum, the Canadiens won 17 Stanley Cups?

Kelly talks with former Canadiens greats like Serge Savard and Bob Gainey, journalists, politicians, filmmakers and even Lord of the Rings star Viggo Mortensen, maybe the Canadiens’ most famous fan—telling the tale of the team’s unique bond with its fans. One surprising conclusion is that when the team’s roster was at its most Québécois, the team had its greatest success on the ice. Since Montreal’s last Quebec superstar, Patrick Roy, was unceremoniously booted out of town, the franchise has failed to win a Stanley Cup and has rarely been amongst the NHL’s elite squads.

In one chapter entitled “Trumping the Two Solitudes,” Kelly also shows how the Canadiens have had the power to bridge the linguistic divide in Montreal.

Credit, François Couture

Brendan Kelly, born in Glasgow, raised in Montreal and a fan of the Canadiens for longer than he can remember, was one of the founders of the late great alternative weekly the Montreal Mirror. He worked at the Montreal Daily News in the late 80s and had a weekly music column on CBC Radio for over 30 years. His Montreal Gazette column “What the Puck” is a controversial contrarian hot take on the Canadiens that elicits much hate and even more love. He has written for the Gazette since 1996. He also contributes frequently to various Radio-Canada cultural shows.

Marie-Philip Poulin is a three-time Olympian who holds the unique distinction of scoring the Olympic gold-medal-winning goals for Canada at  the 2010 Olympics in Vancouver, the 2014 Olympics in Sochi and the 2022 Olympics in Beijing. She was also captain of the team that won silver at the 2018 Games in PyeongChang. The recipient of numerous honours and awards, Poulin is considered one of the world’s top players. Marie-Philip Poulin lives in Montreal and is Captain of the Montréal Victoire. She recently won the 2025 PWHL Most Valuable Player Award.


Reviews and Praise

“In Habs Nation, a charming historical-sports investigation, Brendan Kelly, journalist at The Gazette, suggests that the more Quebecois the CH is, the more likely it is to win the Stanley Cup.” Le Devoir

“I don’t know much about hockey. But I devoured Brendan Kelly’s book.” Sophie Durocher, Le journal de Montréal

Imperialism

SEPTEMBER 2025. PRE-ORDER NOW.

2024 is not 1914. Yet, while much has changed since the first world war, the global state of imperialism has not significantly altered. Unlike a hundred years ago, this is no longer a situation of relatively equal adversaries facing off against each other. Rather, we live in a world where one hegemonic power––the USA––is trying desperately by and all means to cling to its world-wide domination, exercising hegemony over all.

No other country, including China and Russia, has either the will or the capacity to replace it. Herein lies the source of the major tensions and conflicts in the world today. Imperialism proposes a new interpretation of contemporary imperialism. Highlighting its historical continuity, Samir shows how crucial the past is to understanding what is happening today.

Since the fall of the Soviet Bloc, the term “imperialism” has largely disappeared from public discourse, but reality is forcing it back.

Imperialism proposes a new understanding of imperialism. Highlighting its historical continuity, Saul shows how crucial the past is to understanding what is happening today.


Samir Saul is a full professor of international history at the Université de Montréal. He has taught and supervised many graduate students for over three decades, with a concentration on modern France and the Arab world. He did his doctorate in history at the Université de Paris. Along with dozens of scholarly articles and as many on current world problems for a larger public, he has published two major studies entitled La France et l’Égypte de 1882 à 1914. Intérêts économiques et implications politiques (Paris, 1997) and Intérêts économiques français et décolonisation de l’Afrique du Nord (1945-1962) (Paris, 2016). He is also co-editor of Méditerranée, Moyen-Orient : deux siècles de relations internationales (Paris, 2003). This is his first book to appear in English.


Praise

“Samir Saul is one of the very best French-language specialists in international economic relations. He has chosen here to tackle a question that is still debated and that has lost none of its relevance, on the contrary: imperialism. If we weren’t convinced, this book leads us there. (. . . ) a powerful resource.” Dominique Barjot, Emeritus Professor of Economic History, Université Sorbonne

“Saul sheds new light on the changing face of imperialism through the ages, from primitive ancestral practices to its more covert contemporary forms in the guise of capitalism.” UdeM Nouvelles

Translated from the French by the author. Original title: L’impérialisme, passé et présent, Un essai (Les Indes savantes, 2023)

DOBRYD

JUNE 15, 2025.

It is 1944 and Red Army soldiers have liberated the Polish town of Dobryd from Nazi occupation. After three years of hiding, a family are helped down from a hayloft and given bread. One of the soldiers picks up a four-year-old child and carries her outside. She looks around in wonder and feels, for the first time in her life, the fresh air of summer on her cheeks.

So begins a young girl’s new life amid the ruins of World War II. While adults mourn what was lost forever, the narrator explores a world that had been forbidden to her, discovering the pleasures of the senses and the company of other children. Though resolutely thriving in the present and thrilled about what’s ahead, the young child also pieces together the past that the adults are determined to bury.

In this powerful autobiographical novel about momentous events, Montreal writer Ann Charney tells an illuminating story of ordinary people committing appalling crimes and surviving unfathomable despair. Written with fierce candour and insight, it is a compelling story of the human spirit.

Ann Charney is an award-winning Canadian novelist, short story writer, and journalist. Dobryd was first published in 1973 and was translated into many languages. Her work has been published in Canada, the U.S., France, Germany, and Italy. Ann Charney’s other books include Life Class, Rousseau’s Garden, Distantly Related to Freud and Defiance in Their Eyes. She has won Canadian National Magazine Awards both for her fiction and non-fiction and was made an officer of the Ordre des arts et lettres in France. Ann Charney lives in Montreal.

Peter McFarlane is an author, journalist, editor, and arts administrator. His most recent book, which was inspired by Dobryd, is Family Ties, How a Ukrainian Nazi and a Living Witness link Canada to Ukraine today. Author of numerous articles, he is also the editor of several award-winning titles including Unsettling Canada. He lives north of Montreal.


Reviews and Praise

Cited among “The Best of Summer Books” by The Globe and Mail.
Dobryd, Ann Charney (Baraka Books, June) When it was first published in 1973, Charney’s autobiographical novel about her and her mother’s escape from Nazi-occupied Poland was compared to The Diary of Anne Frank for its powerful exploration of the effects of war. But the book was better received overseas than in Charney’s adopted Canada – one of its heroes being a Red Army soldier proved a complicating factor – and it eventually fell out of print until this revival by a Quebec publisher. 

“Brave, but scary, new world: Ann Charney’s riveting girlhood memoir of life in post World War II-Poland.” Melanie Jackson, The Seaboard Review

“Along with The Diary of Anne Frank . . . Dobryd will take its place as one of the truly significant insights into the effects of war.” Books in Canada

“A tale told with great skill and simplicity; her book is a tour de force.” Macleans

“A ‘marvelous’ autobiographical novel of a Jewish girl emerging from hiding in Poland after the defeat of the Nazis, and rediscovering freedom and hope.” Publishers Weekly

“One of the best books on a European destiny in our century.” Stuttgarter Zeitung, Germany

“Original and compelling, this book makes us believe in the possibility of happiness amid the terrors of war.” Frankfurter Neue Presse, Germany

“A terrifying and inspiring story of war seen through the eyes of a child.” L’express, Belgium

“An extraordinary testimonial to the strength of the human spirit, even in the worst times.” Flair, Belgium

“The novel’s unsentimental, clear-eyed vision offers hope that, with luck, the human spirit can blossom under the most dreadful circumstances.” Mary Soderstrom

 

Tunes for Dancing Bears

MAY 1, 2025. PRE-ORDER NOW.

Every year, nearly 2 million babies are stillborn around the world; in Canada, one in every 125 pregnancies ends in a stillbirth.

It is September 1991 and Lydia has just given birth to a stillborn child in Montreal. As she and her husband grapple with the after effects, their relationship comes under intense scrutiny. Lydia, the daughter of poor Greek immigrants, fears she has failed her husband as well as his more prosperous Greek family. Their marriage had been shaky from the start and the stillbirth seriously threatens its very foundations, including John’s commitment to fidelity.

Tunes for Dancing Bears plunges deeply into the complexities of grief and the many challenges of being a woman. A touching story of family, loss, immigration, hope, and the real meaning of for better or for worse.

Irena Karafilly is an award-winning author of several acclaimed books and of numerous stories, poems, and articles. She has published in literary and mainstream magazines, as well as in The New York Times and the International Herald Tribune. Her short stories have won Canada’s National Magazine Award and the CBC Literary Award. Her latest novel, Arrested Song, was recently published in the UK by Legend Press and was Finalist for the QWF 2024 Paragraphe-Hugh MacLennan Prize for Fiction. She divides her time between Montreal and Athens.


REVIEWS & PRAISE

“I was a neophyte mother when I chanced to see a dishevelled-looking woman sobbing on a Montreal hospital’s maternity ward. She was waiting for the elevator, leaning against her husband as though her legs could not be trusted to carry the weight of her own body. I, too, was about to be discharged, delirious with the joy of having given birth in my 30s to a perfectly healthy baby. I did not yet know that the weeping woman had given birth to a stillborn child, but a chatty nursing student speaking in hushed tones soon satisfied my curiosity. The bereaved woman’s face haunted me––until I finally surrendered and sat down to write about her plight.”
From an interview with the author on All Lit Up.

“A novel that doesn’t shy away from difficulties.”
Sonali Karnak in conversation with Irena Karafilly
All In a Weekend, CBC Radio

“The story is told without sentiment and without judgment. There is simplicity of style and an observational quality to the entire work. As we read the shattering beginnings to the journey of Lydia and John, we wonder what the outcome might be in a year’s time. A well-researched and compelling story.” Anne Smith-Nochasak, The Miramichi Reader

“This eloquent, impressionistic novel evokes the devastating void left by a stillborn child.” Meg Nola, Foreword Reviews

“If hope is the thing that perches in the soul, as Emily Dickinson wrote, so does loss as stubbornly, and it’s an absence that rings with both spoken and unspoken power in Irena Karafilly’s intense, haunting novel.” Julian Evans, author of Undefeatable: Odesa in Love and War

Tunes for Dancing Bears explores an avalanche of emotions in this novel about grief and marriage. Irena Karafilly takes us into a world of ineffable loss. This book will move you.” Kim Echlin, author of The Disappeared and Speak, Silence

“Irena Karafilly has written a beautiful and moving addition to the literature of loss and grief.” William Kotzwinkle, author of Swimmer in the Secret Sea

Praise for Arrested Song

“I enjoyed this book immensely. Karafilly succeeds brilliantly where I had decided not to even try. A very accomplished novel.” Louis de Bernieres

“A gripping, powerfully evocative chronicle of Greek island life. . .. Nothing is black and white here, least of all her feisty, iconoclastic heroine . . . hard to put this book down.” Sofka Zinovieff

Arrested Song is a wonderful novel, fully realized and absorbing.” Anna Porter

“An epic, page-turning story, of longing and bravery. Arrested Song is a must read.” Nadia Marks

“Beautifully written and riveting.” Carol P. Christ

Arrested Song is a highly accomplished, thoroughly researched, and compelling read.” Dean Kalimniou

“One of the best novels I?ve read about modern Greece . . .. A truly original work.” Diana Farr Louis

“A beautifully written, superbly detailed and addictive historical novel mostly set on the island of Lesvos. I savoured every word.” Peter Barber.

 

Saints Rest

MARCH 2025

Malory Fleet’s son was killed by bikers and now she’s worried about his missing girlfriend, Amanda. But that case was closed shut by the police a year ago and Frank Cain, the private investigator she’s hired, is reluctant to take it on. On the sometimes seedy streets of uptown Saint John, no one wants to talk, even fewer have anything to say, and the police have cast a blanket of fog over everything. As Frank searches fruitlessly for clues, he learns more about Malory than about Amanda, and begins to grow wary. Throughout, Detective Stuart Boucher is following Frank and making little effort to hide it, leading Cain to conclude that the officer may have more to do with the case than he’s letting on. For Frank Cain, as unmoored as a lost ship in the harbour, in unravelling this case he risks unravelling himself.

Saints Rest is a neo-noir novel set in a gritty and unforgiving Saint John, a town where few people are prepared for its secrets, least of all Frank Cain.


Luke Francis Beirne was born in Donegal, Ireland, and lives on the Wolastoqey land of Saint John, New Brunswick. His first novel, Foxhunt (Baraka Books, 2022), was a finalist for the 2022 Foreword INDIES award and selected as one of The Miramichi Reader’s Very Best novels of 2022. His second novel, Blacklion (Baraka Books, 2023), was selected by CBC as one of the novels to read in 2023 and shortlisted by the Writer’s Federation of New Brunswick for the 2023 Best Novel Award. His stories, essays, and reviews have appeared in Counterpunch, NB Media Co-op, Hamilton Arts & Letters, and CrimeReads. Beirne’s work has been stylistically compared to Ernest Hemingway, Graham Greene, Frederick Forsyth, and John le Carre. Saints Rest is his third novel.


REVIEWS & PRAISE

Saints Rest is utterly essential and at this early stage already a contender for one of the best of the year.” James Mullinger, Maritime [Edit]

Saints Rest showcases Beirne’s ease with the textures of misery. There’s no mistaking its contemporary grittiness.” Brett Josef Grubisic, The Miramichi Reader

Saints Rest by Luke Francis Beirne is set in a dreary Saint John, New Brunswick and centers around Frank Cain, a private investigator. Think Dashiel Hammett’s Sam Spade or the Continental Op, and you’re on the right track for a great read. . . . Snappy dialogue and realistic characters make Saints Rest such an enjoyable book.” James Fisher, The Seaboard Review

“Beirne captures the hard-boiled spirit of Saint John—the dense fog, the salty air of the harbour, the cold-in-the-bones daily life of the working class. A fine example of East Coast Grit Lit.” Jerrod Edson, novelist

About Blacklion 

“Mr. Beirne’s writing is good, really good…I used to read a lot of Frederick Forsyth, and Blacklion very much recalls the type of story Mr. Forsyth would spin. Recommended, along with Foxhunt.” James Fisher, The Seaboard Review

“Highly atmospheric… very cinematic…” Colleen Kitts-Goguen, CBC

“Beirne achieves a certain Hemingway quality for his protagonist and associates… a fine effort in a genre where the bar has been set extremely high by le Carre, Greene, Deighton, and others.” Ian Thomas Shaw, The Ottawa Review of Books

About Foxhunt

“[Foxhunt is] a cold-war thriller rather like early le Carré. … eerily pertinent given recent news …” Simon Lavery, Tredynas Days

“[A] brilliant young writer.” David Adams Richards

“With its beautifully lyrical prose, Foxhunt is an alchemic mix of realpolitik and shadowy noir.” Mark Anthony Jarman

“Against a seamless historical and literary backdrop, Foxhunt balances compelling intrigue with vulnerable human emotions.” Meg Nola, Foreword Reviews (March-April 2022)

My Thievery of the People

MARCH 2025.

From the highways of Cairo to the outports of Newfoundland, the soul-crushing cubicles of Montreal city work and the deceptive perils of the Quebec countryside, these brilliant short stories lay bare the workings of power and the small acts of both courage and compromise by which those on the margins defy them.

Marshy’s distinctive style and untamed strength guides the reader in an electrifying high-wire act through the inner lives of refugees, queers in love and grief, wives, workers, and so many others fighting their way out from under.

Beautifully cohesive across a stunning depth and range of setting and subject, no one is innocent in My Thievery of the People.

Leila Marshy is of Palestinian-Newfoundland parentage, which might explain a lot. She has worked for the Palestine Hospital in Cairo, the Palestinian Mental Health Association in Gaza, and Medical Aid for Palestine in Montreal. She founded a ground-breaking community group bringing Hasidim and their neighbours together for dialogue. She’s been a baker, a chicken farmer, an early mobile app designer, a film editor and a political campaigner. Her stories, poetry and articles have appeared in journals, newspapers, magazines and anthologies. Her first novel, The Philistine, was published in 2018. She lives in Montreal.

 

REVIEWS & PRAISE

“Leila Marshy’s collection is full of incisive political commentary on people and how we interact with and hide from each other. The story settings shift from Canada to the Middle East, transcending borders in a way that is familiar to anyone living in a diaspora, with roots and family spread across the world. Marshy immediately establishes herself as a storyteller who can draw a reader in with a few precise words.” Manahil Bandukwala, Quill & Quire

“A provocative examination of life’s daily and exhausting humiliations, and the limitless chasms that separate us based on class and wealth disparity, as well as misguided colonial beliefs in the right to ownership of place and power over others. As a fisherwoman in Newfoundland in “Proper Ting” says to a ministry worker from Ottawa, “No one is innocent here. Everyone smells of either fish or blood. No wonder the fish are leaving, they were never ours to begin with.” Anne Perdue, Plenitude Magazine

“With My Thievery of the People, Marshy establishes herself as a masterful writer of intricate, intergenerational plots. (…) By turns cynical and tender, My Thievery of the People breaks the complacency of the everyday through shock, satire, and the gravitas of subtext.Shafia Hafiz Ramji, Literary Review of Canada

“Probably my favourite short story collection of the year, so far, My Thievery of the People: Stories is imbued with qualities both folkloric and darkly magical, as well as violent and adamantly political, featuring heroines aplenty.” Thalia Stopa, Scout Magazine

My Thievery of the People helps us believe 2025 might not be that bad after all, and that big tech and other power structures should fear us. Marshy’s figures of power are fundamentally fragile and could crumble in the face of disaster, or fate, or chance.”
Léa Murat-Ingles, Montreal Review of Books

“Tightly woven, electric, exciting, and rooted deeply in place, Marshy’s stories depict the everyday life of a host of characters: a Cairo daughter daunted by her brother’s return, a paranoid Montreal snow plow driver, a Russian “knife guy” working at a circus in Las Vegas, an Egyptian waiter serving a tourist family on a boat, a mysterious Quebecois beekeeper off the side of the road. Marshy’s voice is both stark and a pulsing half-dream, caught between reality and something else. Each story left me wondering but not dissatisfied, curious to know what the next one would bring. An excellent follow-up to her wonderful debut, The Philistine.”
––Eli Tareq El Bechelany-Lynch, The Good Arabs (Winner of the Grand Prix du Livre de Montreal, 2022)

“Powerful, compelling and trend-defying morality tales rendered in astonishing, cinematic prose.”
–– Anita Anand, A Convergence of Solitudes